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ItsGG@bookwyrm.social

Joined 2 years, 4 months ago

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finished reading No Fault by Haley Mlotek

This book wanders about, somewhat aimlessly, in the territory between memoir and sociological examination of how divorce has been treated in different eras and cultures. I loved this weaving in and out, and so much of what she says about her own marriage and divorce really resonated with me, but it may irritate some readers. A cautionary note about the audiobook is that the author reads it herself, and pronounces “with” as “whiff,” which became surprisingly grating over the course of an entire book. Maybe opt for the print/ebook version.

Yael van der Wouden: The Safekeep (Hardcover, 2024, Viking)

An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge …

For the first 3/4 of this book, I found it very tedious, a literature’d-up romance novel. I had hoped that some details dropped in the beginning of the story would turn into something interesting, but they didn’t. However, the remaining 1/4 of the book changed my mind entirely.

Sarah Wynn-Williams: Careless People (Hardcover, Macmillan)

Sarah Wynn-Williams, a young diplomat from New Zealand, pitched for her dream job. She saw …

Loved it. I’ve worked in tech for 20+ years, and so much of this resonated. The author is a very entertaining writer, and she makes her points while keeping the plot moving.

Sloane Crosley: Grief Is for People (EBook, 2024, MCD)

Disarmingly witty and poignant, Sloane Crosley’s memoir explores multiple kinds of loss following the death …

This book was recommended to me because a close friend recently died by suicide, and it was very healing to read it. It’s a strange position to be in, not a wife, brother, or even best friend, of the deceased, but still needing to find a way to carry the grief. For that reason, and because the author is in a similar position, I really enjoyed it. Whether or not others would appreciate it probably depends on how much they like Sloane Crosley’s style of writing.

As a memoir, it has a number of flaws, but my biggest problem with it is that it has a LOT of romanticization about New York. As a native Californian, I find romanticization of New York exhausting, it’s a breathless enthusiasm for caring about the wrong things. There is so much it becomes tedious, and takes a full star off my rating.

Otherwise, it’s …

Alison Espach: Wedding People (2024, Holt & Company, Henry)

A good friend recently took his own life, and he did it in a hotel. So the coincidence of my starting to read this book literally a couple weeks later probably put it off on the wrong foot with me. Also, I don’t typically read this sort of “elevated mass-market” fiction, so maybe my unenthusiastic reaction to this book is partly an unenthusiastic reaction to the category. This one was recommended to me, so I read it without knowing anything about it. It’s an entertaining story that doesn’t really say anything meaningful, and the characters are amusing but forgettable. The story is relatively contrived. This book felt like it was written with the author’s eye toward selling a movie or Netflix series based on it. But I enjoyed the process of reading it, and I’m sure the Netflix series will be enjoyable too.